After reading David Bachrach’s memories of outdoor work during and after the Civil War, it was exciting to acquire an actual image of him in the wild.
This stereoview of Bachrach (seated) and William Moody Chase (standing) shows them with their outdoor studio, the Niagara Falls railroad suspension bridge on the horizon. Upon the tent a sign reads “Artist Corps, Chase’s American Scenery.”
The scene gives life to Bachrach’s sketchy recollections in volume 53 of The Photographic Journal of America:
“About a year after the war I fell in with Mr. William M. Chase, a former army officer of volunteers, afterward a sutler, from Massachusetts, who went into the publication of stereoscopic views, very popular at the time. I made the negatives for him for about two years, over 10,000 of them . . . We went all over Maryland, the Cumberland and Shenandoah Valleys, in the Alleghenies, Washington, D.C., on the Hudson and Niagara Falls” (“Over Fifty Years of Photography,” Part III, The Photographic Journal of America, Volume 53, February 1916, pg. 71).
Bachrach had developed his skills at outdoor work during the war, “in portable dark rooms, both with horse teams and for small work with those carried by hand.”
Success often required what he calls “dodges”–improvised methods for keeping the plates wet and for capturing the spray of falls and rapids.
Bachrach’s memoir places these two years between 1865 and 1868, when he and Chase traveled to the US Naval Academy in Annapolis to photograph the graduating class there–the first time such as thing had been done.
Read three parts of David Bachrach’s four-part memoir, “Over Fifty Years of Photography,” free on google books, in The Photographic Journal of America and Wilson’s Photographic Magazine. Part I is found in The Photographic Journal of America, volume 52, December 1915, pp. 578-579; Part II in volume 53 pp. 18-20, January 1916; Part III in volume 53 pp. 71-73 February 1916; and Part IV in Wilson’s Photographic Magazine, volume 53 pp. 117-119 March 1916.
© waldonia 2012